Long before the forty-fifth president of the United States rolled out his demonstrably preposterous plan to build a security wall stretching two-thousand-plus miles across the country’s border with Mexico, Postcommodity was investigating that boundary as a site of fantasy and folly. Comprising three collaborators—Raven Chacon, Cristóbal Martínez, and Kade L. Twist—from the Southwestern US, the interdisciplinary collective spent years developing Repellent Fence (2015), a work

Fred Eversley Art in America June 1, 2017 Kristen Swenson Fred Eversley: Untitled, 1974, cast polyester resin, 20 by 20 by 4 inches; at the Rose Art Museum. When I visited this exhibition of thirteen works by Fred Eversley, the black, white, and gray polyester resin and acrylic sculptures that serve as the show’s focus reflected the New England winter sun with scintillating brilliance. Made between 1974 and 1980 by the Los Angeles–based artist, the objects here feel like tr

David Solomon has been an active member of the Santa Fe art community for the 11 years he has lived here, as both a painter and an independent curator. His latest exhibition demonstrated not only his artistic maturity but also his consistent drive toward pictorial originality. All 15 works (2010 or ’11) are oil on aluminum panel and range from 1 to 3 feet to a side. The paint appears to float on the surface. The lustrous Knowledge of Good and Evil exemplifies Solomon’s nimble

Art In America June/July 2010 David Richard Contemporary, established by former business strategist David Eichholtz and opera professional Richard Barger, opens downtown June 11 in a 4,500-square-foot gallery. On view through July 17 will be recent works by New York's Paul Henry Ramirez and new paintings on stainless steel and glow-in-the-dark resin tondos by Detroit's Beverly Fishman. #DavidEichholtz #RichardBarger #DavidRichardContemporary #ArtInAmerica #JanErnstAdlmann