Attached is a small selection from a series of geometric abstract paintings by Dean Fleming that he painted from 1979 to 81. This is the first time they have ever been seen or presented! Several are rooted in the philosophy and colors of the medicine wheel from the Lakota Native American tribe. Each color represents a direction: east, west, north and or south as well associations with different seasons, birds, animals and stages of life. Typically, circular, Fleming has adap

LEO VALLEDOR (1936-1989) The Whitney Museum of American Art, New York has acquired two paintings by Leo Valledor for its permanent collection. Odelight, 1964 and Serena, 1964, both acrylic on canvas and each measuring 35 15/16 × 109 ½ inches, were acquired through a generous gift by Mark di Suvero. These paintings are excellent examples of Valledor’s explorations into color and space in the early days of the Park Place Gallery, an artist cooperative in lower Manhattan in the

MARIO YRISARRY Stenciled and Sprayed: Paintings from 1961 - 1967 August 5 through September 2, 2017 Opening reception: Saturday, August 5 from 5:00 – 7:00 PM Mario Yrisarry First Forty Niner, 1966 Acrylic on canvas 82 x 68 " New York Artist Mario Yrisarry in his first solo exhibition at David Richard Gallery. Presenting abstract paintings from 1961 – 1967 that explored non-traditional methods of painting on canvas without brushes. Specifically, this exhibition maps

Patsy Krebs, "Tunisia," 1966, gouache on paper, 7 3/4 x 7 3/4" “Park Place Gallery: Founders and Friends, Then and Now” David Richard Gallery, Santa Fe, New Mexico by Jordan Eddy When David Richard Gallery was located in Santa Fe’s Railyard Arts District, the space was best-known for its exhibitions of Op Art from the 1960’s to the present. A move to Pacheco Street in 2015 marked a clear shift in the gallery’s direction. Historic works still hide in the back corners, but youn

Linda Fleming, Streak, 2016, Powder coated steel, 66" x 49" x 2" New York City's historic Tribeca neighborhood wasn't always the upscale residential area full of swanky bars and res­taurants that it is today. From the mid-19th century on, the neighborhood was a center for the textile and cotton trade, but by the mid-20th century, the factories in this lower Manhattan district had all but closed. The area became an industrial wasteland, earning it the moniker Hell's Hundred Ac

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Leo Valledor, Source, 1969-70, Acrylic and oil on canvas, 60" Park Place Gallery: Founders and Friends, Then and Now David Richard Gallery Presents a Survey of the Park Place Group Including Founding Members and Friends with Paintings and Drawings from the 1960s and Selections of Later Career Artworks from Each Artist, Opening February 3, 2017 Featuring: Dean Fleming, Linda Fleming, Patsy Krebs, Ronnie Landfield, Ed Ruda, Robert Swain, Leo Valledor, Neil Williams and Mari