Pop Art and Pop Culture By David Eichholtz Examples of exhibitions that present Pop Art and reflect an aspect of contemporary culture, either at the then current time or recently. Andy Warhol Marilyn (F. & S. #21) Signed and numbered in pencil and stamp numbered on verso 1967 Screenprint on paper, framed (6 x 6) PAUL HENRY RAMIREZ June 11 - July 17, 2010 https://www.davidrichardgallery.com/Exhibit_Past.cfm?yr=2010&Location=&ShowCat= Artwork Copyright © Paul Henry Ramirez BEVE

Psychedelic Art By David Eichholtz Psychedelia and Psychedelic Art was influenced by surrealism, Dada, visual perception and Op Art along with other historical and cultural references such as Art Nouveau, Indian textiles and Pop Art. It defined the 1960s and Counter Culture movement and was ever present in rock culture on album covers, poster art and liquid light shows as the back drop for concerts on both the east and west coasts of the US at venues such as the Fillmore East

David Richard Gallery 2015 October 10 “Re-Op: ‘The Responsive Eye’ Fifty Years After”, currently on view at David Richard Gallery is the third in a series of presentations co-curated by Peter Frank, critic, curator and historian and David Eichholtz, gallerist, curator and historian that critically examines and reconsiders “The Responsive Eye”, the seminal exhibition organized by William C. Seitz at New York’s Museum of Modern Art in 1965. This particular installation explores

Art Miami New York, a new world-class contemporary and modern art fair, will open its doors on May 14, 2015 in New York City at Pier 94, site of the annual Armory Show each March. The fair will debut during Frieze Week, one of the busiest and most exciting weeks of the New York 2015 art and cultural season, alongside the highly-anticipated post-war and contemporary art sales at the major auction houses. Art Miami New York will host 100 leading international contemporary galle

Click here to view catalog Delectable, Delirious, Dilemma by Lilly Wei Beverly Fishman is obsessed with drugs. In her case, however, it manifests itself as paintings and sculptural objects, eye pharma cum eye candy. Meant to seduce, these deliriously colored, psychotropic works, imaged as both abstractions and representations, are derived in part from feminist and postfeminist ideologies, from what Betty Friedan’s Feminine Mystique (1963) described as the plight of the mid-2

Pill Spill is a new work by Beverly Fishman at the Detroit Institute of Arts. Each pill is handcrafted in glass; each pill is unique. (Photo/Aaron Burgess) On life support since its public and private funding dried up, the DIA has been waiting for an economic transfusion for years. The recent millage approved by voters in Macomb, Oakland, and Wayne Counties gives the Museum a new lease on life. I can't help but think that Beverly Fishman's Pill Spill, a glass installation tha

David Richard Gallery opened last night with a crowd of 300+. The gallery opening featured two inaugural exhibitions. The first, Color Affect, is a solo exhibition of paintings by Robert Swain in the atrium gallery. The second is a group exhibition, Seeing Red, presented in the perimeter gallery and mezzanine spaces that features the color red in a selection of artwork by guest and gallery artists including: Philip Baldwin & Monica Guggisberg, Laura de Santillana, Gabriele E

Stunningly beautiful, Beverly Fishman’s bands of iridescent colors cannot help but arouse one’s emotions, all the more so because one is mirrored by the paintings, suggesting that the squiggly lines embedded in the colors register one’s own nervous emotions. They in fact do: their patterns are transcriptions of EKG, EEG, and neuron spike readouts, with some bar codes thrown in to add a social measure to the disembodied bodily data. And, for good measure, some of the patterns

Houston Fine Art Fair September 16 - 18, 2011 George R. Brown Convention Center Opening Preview benefits the Museum of Fine Arts, Houston David Richard Contemporary Booth Number is #220 Featuring artwork by: Robert Motherwell Andy Warhol Julian Stanczak Robert Swain Roland Reiss Ward Jackson Maxwell Hendler Beverly Fishman Matthew Penkala Beatrice Mandelman Michael Wright Charles Strong Jean-Marie Haessle Click here to learn more #DavidRichardContempora

Beverly Fishman is continuing her artistic study of the human body and the pharmaceutical industry through a new medium with her exhibit “Pill Spill” at the Toledo Museum of Art Glass Pavilion. The installation features 120 glass capsules representing pills, which are placed between the walls of the entrance. According to Fishman, this creates the analogy of the Glass Pavilion as a human body digesting the pills. “I’ve had a long-standing relationship with my interest with th

Toledo Museum of Art, Glass Pavilion, Toledo, July 15th – September 30th, 2011, Pill Spill Beverly Fishman’s “Pill Spill” at the Toledo Museum of Art’s Glass Pavilion is a floor installation of more than 120 unique glass capsules ranging from 6 to 15 inches. Sited in the glass enclosed cavities running along the front of the building and the side of the lobby, the installation was created to activate the unique architecture of the pavilion, which was designed by Tokyo-­based

PAINTED BLACK A Group Exhibition featuring artwork by: William Brice, Lisa Cahill, Peter Demos, Merion Estes, Beverly Fishman, Gregory Frank Harris, Maxwell Hendler, Ward Jackson, Otis Jones, Matsumi Kanemitsu, Minoru Kawabata, Masatoyo Kishi, Scott Malbaurn, Beatrice Mandelman, Robert Motherwell, Clarence Morgan, Rakuko Naito, Louis Ribak and Benjamin Sewell April 1 - 30, 2011 Opening Reception Friday, April 1, 5:00-7:00 pm David Richard Contemporary 130 Lincoln Avenue, Suit

William Brice, Untitled (10-23), 1978, Charcoal on paper, 24" x 18" ABSTRACTED BODIES William Brice, Peter Chinni, Michael Cook, Edward Dugmore, Beverly Fishman, Jean-Marie Haessle, Gregory Frank Harris, Marcia Lyons, Paul Henry Ramirez, Louis Ribak and David Solomon February 1 - 26, 2011 Opening reception: Friday, February 4, 2011, 5:00-7:00 PM David Richard Contemporary 130 Lincoln Avenue, Suite D, Santa Fe, NM 87501 p 505-983-9555 | f 505-983-1284 | www.DavidRichardContem

ABSTRACTION: NOW AND THEN David Richard Contemporary Booth G189 16th Annual Los Angeles Art Show The Los Angeles Convention Center January 19 - 23, 2011 David Richard Contemporary 130 Lincoln Avenue, Suite D, Santa Fe, NM 87501 p 505-983-9555 | f 505-983-1284 | www.DavidRichardContemporary.com David Richard Contemporary is pleased to exhibit “Abstraction: Now and Then” as a participant in the 16th annual Los Angeles Art Show at the Los Angeles Convention Center, January 19 th

HOLIDAY GROUP SHOW Op, Pop and Geo Again December 14, 2010 – January 15, 2011 Opening reception: Friday, December 17, 5:00-7:00 PM David Richard Contemporary 130 Lincoln Avenue, Suite D, Santa Fe, NM 87501 p 505-983-9555 | f 505-983-1284 | www.DavidRichardContemporary.com David Richard Contemporary is pleased to present a holiday group exhibition featuring contemporary and historic op, pop, psychedelic and geometric art by Steven Alexander, Jerrold Burchman, Alex Couwenberg,

Pasatiempo Stephanie Taylor July 2 - 8, 2010 Click here to view a PDF of the review #SantaFeNewMexican #Pasatiempo #StephanieTaylor #BeverlyFishman #PaulHenryRamirez #DavidRichardContemporary

Art Antiques June 2010 #DavidRichardContemporary #PaulHenryRamirez #BeverlyFishman #FutureNatural

Beverly Fishman, Dividose: Flour r.b.b.y., 2009, Acrylic and enamel on polished stainless steel, 56 3/4" x 84" FOR IMMEDIATE RELEASE: Beverly Fishman FUTURE NATURAL June 11 through July 17, 2010 Opening reception with artist, Saturday evening, June 19, 2010, 5:00-8:00 PM David Richard Contemporary 130 Lincoln Avenue, Suite D, Santa Fe, NM 87501 p 505-983-9555 | f 505-983-1284 | www.DavidRichardContemporary.com David Richard Contemporary is pleased to present FUTURE NATURA

Click here to view catalog by Kathy Battista You’ve got to climb Mount Everest to reach the Valley of the dolls.1 Oh is this the way they say the future’s meant to feel? Or just 20,000 people standing in a field. And I don’t quite understand just what this feeling is. But that’s okay ‘cause we’re all sorted out for E’s and wizz. And tell me when the spaceship lands ‘cause all this has just got to mean something.2 The post-war conception of the American female was largely tied