Op Art (also known as Optical Art) is a form of non-objective, non-representational, abstract art. It is very precise and exact, highly...

Geometric Abstraction is an area of abstract art where the nonobjective compositions are comprised of geometric shapes and forms,...

Hard edge painting includes paintings in which individual colors have clear and distinct boundaries that separate the colors from one...

Psychedelic Art By David Eichholtz Psychedelia and Psychedelic Art was influenced by surrealism, Dada, visual perception and Op Art along...

In the 1960s, the edges of the bands of color in Tadasky’s paintings were crisp and precise. However, later in the 60s and throughout the...

TADASKY Pushing Boundaries Opening Reception: Friday, August 24, 2018 from 4:00 to 8:00 PM On view August 24 through September 29,...

Rakuko Naito RN1432-65, 1965 Acrylic on cotton canvas 32" x 32" x 1.5" Copyright © Rakuko Naito Click here to go to the artwork A...

#ArtMiami #SallyAnderson #MicheleBubacco #PeterDemos #FredEversley #TomGreen #ChristianHaub #MatthewKluber #EdMieczkowski #MatthewPenkala...

Christian Haub, Float for Gilberto Perez, 2015, Cast acrylic sheet, 24" x 24" x 2.5" David Richard Gallery presents, An Exhibition of...

Rakuko Naito, RN1468-64, 1964, Acrylic and metallic acrylic on linen, 68" x 68" Op Infinitum: ‘The Responsive Eye’ Fifty Years After ...

Click here to view catalog THE RESPONSIVE OTHER EYE: OPTICAL ABSTRACTION IN AND OUT OF MOMA By Peter Frank “The Responsive Eye,” the New...

Click here to view catalog OP SPRINGS ETERNAL: “THE RESPONSIVE EYE” FIFTY YEARS ON By Peter Frank Exactly half a century ago, the Museum...

Tadasky, C143, 1965, Acrylic on canvas, 47 x 47 " Post-Op: 'The Responsive Eye' Fifty Years After February 25 - April 12, 2015 ...

Click here to view catalog Sacred Circles And Sensate Colors: Tadasky’s Paintings by Donald Kuspit As a rule a mandala (dkyll ‘khor) is...

C177a, 1965, Acrylic on canvas, 47" x 47" TADASKY The Circle ReViewed: 1964 to 2012 August 17—September 22, 2012 Opening reception:...