Attached please find images, short videos and information for the vibrant multimedia projection paintings that combine hard edge painting with digital new media by artist Matthew Kluber. Also included is a statement from the artist. These paintings are digitally and technically derived as they were inspired by the imagery created from the collapse of computer data in the early days of color monitors and crashing computers. The artworks include the non-objective geometric pa

David Richard Gallery is now representing Mark Dagley, a New York-based artist originally from Washington DC who studied at the Corcoran School of Art. Dagley’s work explores color, materials and non-objective abstraction spanning some of the most important periods and movements in international art over the past four decades. He emerged on the scene in New York during the 1980s along with his peers and colleagues including Barry X Ball, Max Gimblett, Olivier Mosset, James Na

In the 1960s, the edges of the bands of color in Tadasky’s paintings were crisp and precise. However, later in the 60s and throughout the next five-decades of his career, he pushed the edges of the outer bands of pigment by diffusing and extending the colors. He also softened all of the borders of the rings of pigment to obscure all boundaries and allow the colors to meld one into the other. Tadasky’s current exhibition, Pushing Boundaries, at David Richard Gallery examines t

ArtForum April 29, 2017 Barbara Stanczak Julian Stanczak died in my arms on March 25, 2017. His body gave up fighting, but awareness of his unique spirit only keeps growing. Living together for almost fifty-five years, Julian and I—and later our children, too—experienced many memorable adventures; we crossed the country by car from one national park to the next, from one unique experience to another. As I took in nature’s formations and found myself enthralled by America’s ge

Julian Stanczak, the Polish-born American artist who lived near Cleveland and did important work in Cincinnati, had an international reputation that was only growing when he died on March 25 at age 88. The abstract art that he called “perceptual painting” — sharply delineated lines and sections of color that seemed to change or move based on the light and the viewer’s movements — made a major cultural impact when Stanczak’s first show, Optical Paintings, opened in New York in

New York Times April 11, 2017 Roberta Smith Julian Stanczak at his home in Ohio in 2013. Credit Jeff Downie Julian Stanczak, a Polish-born American abstract painter who rose to fame as a leading figure of the popular Op Art movement but slipped into obscurity when its reputation flagged, died on March 25 at his home in Seven Hills, Ohio, a Cleveland suburb. He was 88. His death was confirmed by his New York gallery, Mitchell-Innes & Nash. His family said that he had died afte

The seminal 1965 exhibition at the Museum of Modern Art, The Responsive Eye, provided many viewers with their first exposure to what would become to be called ‘Op Art.’ The scale of the show brought to the fore an international gathering of artists who, individually and collectively, were exploring new theories of visual perception. Perhaps ‘new’ is not quite the word as many of these concepts were born in the 19th century by a diverse group of theorists ranging from Johan

The exhibit features works from the the Cleveland based artists who brought the style to prominence in the 1960s. At that time, Cleveland was home to the only collaborative dedicated to op art in the United States. One of the artists whose became internationally known as an op art pioneer, and whose works are on display in the exhibition, is 82-year-old Julian Stanczak. WEWS, September 21, 2011 #WEWS #JulianStanczak #ClevelandMuseumofArt #OpArt #OpticalArt

Julian Stanczak, Tactile See-Through, 1974, Acrylic on canvas, 36" x 36" Julian Stanczak Elusive Transparencies September 1 - 30, 2011 Opening reception: Friday, September 2, 2011, 5:00-7:00 PM David Richard Contemporary 130 Lincoln Avenue, Suite D, Santa Fe, NM 87501 p 505-983-9555 | f 505-983-1284 | www.DavidRichardContemporary.com David Richard Contemporary is pleased to present Elusive Transparencies, a retrospective exhibition of paintings by Julian Stanczak focused excl

Click here to view catalog Elusive Transparencies When I lived in Africa in the 1940s, I enjoyed observing the haze of the lifting dew, the clouds of smoke in the distance, the thick fog in the rainy season. I made watercolors trying to capture the haze that separated me from the objects, the haze that seemed to stack filters in layers of space. Watercolor was a great medium for this because you could apply films of color with a simple repeat of the brush stroke. My waterco