Psychedelic Art By David Eichholtz Psychedelia and Psychedelic Art was influenced by surrealism, Dada, visual perception and Op Art along with other historical and cultural references such as Art Nouveau, Indian textiles and Pop Art. It defined the 1960s and Counter Culture movement and was ever present in rock culture on album covers, poster art and liquid light shows as the back drop for concerts on both the east and west coasts of the US at venues such as the Fillmore East

Daniel McCoy, Jr., New Jams New Jewelry, 2014, Acrylic on canvas, 48" x 40" Santa Fe Arts Journal by Emily Van Cleve December 16, 2016 Born in the 1960s, psychedelic art is thriving in the capable hands of contemporary artists who have been inspired and influenced by a variety of mid-20th century art styles, including Op Art (Optical Art) and Color Field paintings. “Altered States: A Psychedelic Legacy,” which is on exhibit at David Richard Gallery through January 28, feature

Heather McGill, Untitled, 2016, Acrylic on paper, 25.5" x 48" FOR IMMEDIATE RELEASE: “Altered States: A Psychedelic Legacy” Presents Contemporary Psychedelic Art Against The Backdrop of 1960s Paintings and Concert Posters at David Richard Gallery, Opening December 2, 2016 Are You Experienced? The spirit of the 60s lives on in the David Richard Gallery’s latest visual extravaganza. Featuring: Francis Celentano, Andrew Cimelli, Tom Green, Jennifer Joseph, Caity Kennedy, Daniel

A selection of paintings, drawings, sculptures, ceramics and photographs in the classic combination of black and white (maybe a touch of silver or red). Catherine Howe Carborundum and Silver (Mantis), 2016 Acrylic, encaustic, metal leaf, carborundum grit on canvas 48" x 36" Copyright © Catherine Howe Erik H Gellert Awaken, 2016 Ceramic and housepaint 21" x 13" x 16" Copyright © Erik H Gellert Click here to go to the artwork Peter Demos Untitled (Larg

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Tom Green, What Next?, 1980, Acrylic on canvas, 48" x 72" x 1.5" Tom Green took cues from consumerism, politics, and the everyday around him to build Boschean, graphic landscapes of cavorting geometry. Working within his own surrealistic visual language—part front-facing hieroglyphics, part freehand cartooning—Green brought a lighthearted approach to an advanced understanding of color, composition, and the realities of contemporary situations. This spring, David Richard Galle

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